One thing is clear— the fight scene is short! That means every sentence must count.
The location is a ship at sea, with a royal party on board. As the sailors fight to save the ship, several of the royal passengers enter, and Alonso, the king, demands to know where the master captain is to be found.
The boatswain, worried that the passengers will interfere, orders them to go below deck. The king's councilor, Gonzalo, reminds the boatswain that he is speaking to the king, but the boatswain points out that if the king really has so much power, he should use it to quell the storm.
If he lacks this power, the royal party should go below decks, as the boatswain orders. The royal party exits, presumably to go below deck to seek shelter. Within moments, however, Antonio, Sebastian, and Gonzalo have returned topside again, much to the boatswain's annoyance.
With Sebastian and Antonio cursing him, the boatswain continues in his efforts to save the ship. Soon, however, the sailors enter with laments that the ship is lost. Fearing that they will all soon die, Antonio, Sebastian, and Gonzalo elect to join the rest of the royal party below decks, where they will pray for their survival.
Analysis The opening confrontation between Gonzalo and the boatswain reveals one of the most important themes in The Tempest: When confronted by members of the royal party, the boatswain orders that they return below deck.
He is performing his job, and to stop in response to Alonso's request for the master would be foolish. The boatswain cares little for Alonso's rank as king and asks, "What cares these roarers for the name of king?
The king has no protection from the storm simply because of his rank, because the storm has little care for a man's social or political position. In response, Gonzalo urges the boatswain to remember that the king and his party are the passengers.
The implication is that the boatswain should also remember that his social rank makes him subservient to the royal party, regardless of the circumstances.
Gonzalo's words are a clear reminder that even in the midst of a storm, class or status remains an important part of life. However, the boatswain is not intimidated and responds that the royal party should "use your authority," to stop the storm As far as the boatswain is concerned, all men are equal in a storm and all equally at risk.
Alonso seems to understand that the captain is the ship's final authority, at least initially. His original request for the master reflects his belief that the master is in charge of the ship, and that, as passengers, he as king and his retinue fall under the captain's authority.
But alarm at the severity of the storm and frustration at the boatswain's order to go below decks causes the king's party to fall back on the rules of land — the king is the final authority. The boatswain's telling Gonzalo that the king should use his authority to stop the storm is a reminder that the king has no authority under these circumstances.
Although he can control men although not always with absolute certaintyeven the king cannot control nature.
The storm and the subsequent rebellion on ship is a metaphor for the rebellion occurring in English society. In the Elizabethan and Jacobean world, English society was defined by its class system, in which individuals were born into specific classes by divine right.
In the natural order of things that is, the order defined by Godtherefore, the aristocracy is superior. Although the characters of The Tempest are depicted as Italian in origin, their experiences and conflicts are English. Indeed, the passengers, who never forget that they are socially superior to the crew, need to be reminded that, during a storm, the captain of the ship is the final authority.
Furthermore, in the period just prior to the composition of The Tempest, English society had been rocked by political, social, and religious conflicts.
The Gunpowder Plotfor example, serves as an illustration of the conflict between the Protestant James and his Catholic subjects.Shakespeare’s story of an exiled ruler who uses magic to restore his daughter to power argues that the powerful must show mercy. First performed in , The Tempest explores the consequences of European settlement in the New World.
Read a character analysis of Prospero, plot summary and important quotes. The Second Scene of "The Tempest": A Scene Study Tim Hamilton The Tempest It is often noted that The Tempest is an odd play in Shakespeare’s canon; unlike any of his other works, with the exception of The Comedy of Errors, it observes classical unities of time and setting.
For example, it would be really interesting to write an account of the storm as depicted in Act I scene 1 from the perspective of somebody on the ship, or to write an account of Miranda's life. How to Write a Fight Scene in 11 Steps – Nice breakdown of various fight scenes and how to approach writing your own.
Hi, I'm Christine. I . Summary. The Tempest opens in the midst of a fierce storm. The location is a ship at sea, with a royal party on board. As the sailors fight to save the ship, several of the royal passengers enter, and Alonso, the king, demands to know where the master (captain) is to be found.
"The Tempest" Analysis. of his father and the cacophonic word adds a greater sense of loss. The 'magical' tempest is the catalysing agent in the plot and represents the struggle of all characters/5(4).